DIRECTORY_1997#96 new approved FotoMuseum Provincie Antwerpen conventionDeclaration ISAAR(CPF): Internationale norm voor archivistische geautoriseerde beschrijvingen van organisaties, personen en families, Antwerpen/Leuven/Amsterdam 2006. detailLevel http://ica-atom.org/doc/RS-2#5.4 created January 2, 2015 9:28:51 AM CET human revised November 22, 2020 1:19:04 PM CET human Person (Male) person Apers, Jos conventionDeclaration Professional conventionDeclaration Antwerp - Merksem, 1882 - Antwerp - Ekeren, 1963 1900 - 1914 Anvers, Rue Bréderode, 92 1903 ca - 1916 Boom, Blauwstraat 22

KOTT, Christina, "De l'inventaire photographique belge aux « clichés allemands » 1914-1918" in KOTT, Christina & CLAES, Marie-Christine (éd.), Le patrimoine de la Belgique vu par l’Occupant : un héritage photographique de la Grande Guerre. Bruxelles, 2018, pp. 12-93 [Apers pp. 44-46].

BALaT - Apers, Jos: http://balat.kikirpa.be/people.php?priref=232919

<b>1900 - 1914 Anvers, Rue Bréderode, 92</b> Successor: Monu Edward<02> Theodorus Jozef, ° 27.3.1882; + 15.9.1963. Registered at this address in two separate periods: 1900-1902 and 1911-1914. In the interim, he appears to have operated exclusively in Boom. <b>1903 ca - 1916 Boom, Blauwstraat 22</b> First permanent studio in Boom and Apers' only address in 1905. This studio continued after the closure of the Antwerp studio (Boom is again the sole address in 1916). Apers continued to operate in Boom in the interwar years until at least 1934. The second of his four sons Vic succeeded him. The Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels possesses a collection of 215 glass negatives by Apers, mainly depicting artefacts from Antwerp museums, taken between 1916 and 1918.