Printed: 2024-11-25
Crassé, Antoni
Identity
Category
Person (Male)
Alternative name or descriptor
Standardized form(s) of name according to other rules
Status
- Professional / Connected
Details
Life dates
Amsterdam [NL], 1822 - ?, 1891
Activity
1859 - 1860 Gand, Près la Station de Chemin de Fer ("next to the Railway Station")
Also Antoine, ° 18.10.1822; + 24.8.1891. Advertisement on 29.12.1859.
1861 Anvers, "Verkoopzaal der Cité"
Managed a diorama-type attraction, opening on 14.12.1861, that included "large American stereoscopes, academic poses, life-sized magaloscope ..." (Het Handelsblad, 14.12.1861). Registered in Antwerp, Rue du Couvent, 29 on 7.4.1862, coming from Brussels, Rue du Cirque, 17. He declared himself a person of private means who had entered Belgium in September 1861. Crassé was operating as a photographer again in Hanover [D] in February 1866, where his backmark read "Salon of Arts of Antoni Crassé of Amsterdam".
Also Antoine, ° 18.10.1822; + 24.8.1891. Advertisement on 29.12.1859.
1861 Anvers, "Verkoopzaal der Cité"
Managed a diorama-type attraction, opening on 14.12.1861, that included "large American stereoscopes, academic poses, life-sized magaloscope ..." (Het Handelsblad, 14.12.1861). Registered in Antwerp, Rue du Couvent, 29 on 7.4.1862, coming from Brussels, Rue du Cirque, 17. He declared himself a person of private means who had entered Belgium in September 1861. Crassé was operating as a photographer again in Hanover [D] in February 1866, where his backmark read "Salon of Arts of Antoni Crassé of Amsterdam".
Locations
1859 - 1860 Gand, Près la Station de Chemin de Fer ("next to the Railway Station")
1861 Anvers, "Verkoopzaal der Cité"
1861 Anvers, "Verkoopzaal der Cité"
Exhibitions
Genres / subject matter
Techniques
Bibliography/Webography
Context
Affiliations
Management
Record source
DIRECTORY_1997#877
Status
Level of detail
Dates of creation/revision
SFJ revised 14.1.2019 based on information supplied by M. Demaeght; MD revised 7.5.2020; SFJ revised 25.5.2020 based on information supplied by M. Demaeght